Faux Symbolism: The video for "West Coast" features scenes of Lana superimposed in flames and it's rather reminiscent of Anima Sola or the Lonely Soul which is a soul trapped in Purgatory.It helps that the artists are friends and fans of each other's work. Both women appeal greatly to the indie crowd. By far one of the bigger examples is the fanbase with Marina Diamandis.She also had a fan base of both current and ex Britney fans, as her voice is soft and emotionally tuned like Brit.The Other Wiki mentions her music as Chamber Pop, like Florence and The Machine, and there is cross support there.She appeals to the same spirit which makes Lorde popular.While there are tons of fans who still like both of them there is a definite divide.
Friendly Fandoms: On tumblr fans of Lady Gaga also really liked Lana before "So Legit". Lana herself triggered another rivalry in 2018 with Azealia Banks after the latter criticised a comment by the former condemning Kanye West's pro-Trump views. The fact that some fans speculate how "FMWTTT" may be about Lorde doesn't help. Lorde fans and Lana fans do not always get along, perhaps mainly because of the former's criticism towards Lana's ( supposed) shallow love of opulance, regardless of how obvious the dark side of the American Dream is made in her work. Fandom Rivalry: Lana fans and Lady Gaga fans seem to have split due to the diss track "So Legit" surfacing. Averted with fans, who like it equally to her other albums. Even Better Sequel / Surprisingly Improved Sequel: Norman Fucking Rockwell! is considered her most critically acclaimed album in Lana's entire discography. The guitar riff in "Brooklyn Baby" could definitely also qualify. Epic Riff: The counterpoint piano in "Diet Mountain Dew" and "Lolita". Ensemble Dark Horse: She is by far the most memorable and well-received part of the song "Don't Call Me Angel" (the promotional single released for Charlie's Angels (2019)), despite only singing a bridge and having to stand against the star power of Ariana Grande and Miley Cyrus. With The Weeknd on his single "Prisoner" and her own single "Lust for Life". Dream Team: With the announcement that Courtney Love will be touring with Lana in 2015. Some think ''Born to Die'' is her best album. Meanwhile, most of her fans like all of her albums and think they're all good in their own way. Her other albums received scores around the 7). Critical Dissonance: Most critics were dismissive of Born to Die when it came out and saw it as a mediocre pop album, and they didn't particularly like Paradise either compare to her later albums (An Up to Eleven example being Pitchfork which gave Norman Fucking Rockwell! a 9.4 compared to Born to Die's 5.5. Broken Base: While Ultraviolence got rather good reviews and appealed to most of her fans, it caused a more mixed reaction with people who liked her popish side from the Born to Die singles like the title track, "Video Games", and "Summertime Sadness". "Venice Bitch" in all its 10 minute glory. The chorus of "Blue Jeans" is especially beautiful. Most of her unreleased material, but special mention goes to "Prom Song (Gone Wrong)". From Ultraviolence, "Ultraviolence", "West Coast", "Fucked My Way Up To The Top". From Paradise, "Ride", Burning Desire" and "Gods And Monsters". Defied by the singer herself, who revealed she has a clause in her will forbidding any demos from being released should she pass away.
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